Grossing deutsch

Grossing Deutsch Beispiele aus dem Internet (nicht von der PONS Redaktion geprüft) | Übersetzungen für 'grossing' im Englisch-Deutsch-Wörterbuch, mit echten Sprachaufnahmen, Illustrationen, Beugungsformen. Englisch-Deutsch-Übersetzungen für highest grossing im Online-Wörterbuch dict​.cc (Deutschwörterbuch). Analogously, the grossing-up factor allows conclusions to be drawn from data on sampled employees to the population of all employees in the same stratum. Viele übersetzte Beispielsätze mit "highest grossing" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. Lernen Sie die Übersetzung für 'grossing' in LEOs Englisch ⇔ Deutsch Wörterbuch. Mit Flexionstabellen der verschiedenen Fälle und Zeiten ✓ Aussprache und.

grossing deutsch

Englisch-Deutsch-Übersetzungen für highest grossing im Online-Wörterbuch dict​.cc (Deutschwörterbuch). Analogously, the grossing-up factor allows conclusions to be drawn from data on sampled employees to the population of all employees in the same stratum. hochrechnen {vt} -- to project; to make a projection hochrechnend -- grossing up hochrechnend -- projecting; making a projection Hochrechnung {f} -- projection;.

Because of the long-term effects of inflation , notably the significant increase of movie theater ticket prices, the list unadjusted for inflation gives far more weight to later films.

Another complication is release in multiple formats for which different ticket prices are charged.

The measuring system for gauging a film's success is based on unadjusted grosses, mainly because historically this is the way it has always been done because of the practices of the film industry: the box office receipts are compiled by theaters and relayed to the distributor, which in turn releases them to the media.

Despite the inherent difficulties in accounting for inflation, several attempts have been made. Estimates depend on the price index used to adjust the grosses, [28] and the exchange rates used to convert between currencies can also impact upon the calculations, both of which can have an effect on the ultimate rankings of an inflation adjusted list.

Inf Inflation adjustment is carried out using the Consumer price index for advanced economies published by the International Monetary Fund.

The figures in the above chart take into account inflation that occurred in , and in every available year since then, through AE Since Avengers: Endgame was released in , no inflation adjustment has been applied to its gross.

Audience tastes were fairly eclectic during the 20th century, but several trends did emerge. With the advent of sound in , the musical —the genre best placed to showcase the new technology—took over as the most popular type of film with audiences, with and both being topped by musical films.

The s saw a shift in audience tastes to high concept films, with six such films made by either George Lucas or Steven Spielberg topping the chart during the s.

The 21st century has seen an increasing dependence on franchises and adaptations , with the box office dominance of films based on pre-existing intellectual property at record levels.

Steven Spielberg is the most represented director on the chart with six films to his credit, occupying the top spot in , , , , and Cecil B.

DeMille , , , and and William Wyler , , and are in second and third place with five and four films respectively, while D.

Griffith , and , George Roy Hill , and , James Cameron , and and the Russo brothers , and all feature heavily with three films apiece.

George Lucas directed two chart-toppers in and , but also served in a strong creative capacity as a producer and writer in , , , and as well.

Disney films are usually co-directed and some directors have served on several winning teams: Wilfred Jackson , Hamilton Luske , Clyde Geronimi , David Hand , Ben Sharpsteen , Wolfgang Reitherman and Bill Roberts have all co-directed at least two films on the list.

Only seven directors have topped the chart in consecutive years: McCarey and , Nichols and , Spielberg and , Jackson and Verbinski and and the Russo brothers and Because of release schedules—especially in the case of films released towards the end of the year—and different release patterns across the world, many films can do business in two or more calendar years; therefore the grosses documented here are not confined to just the year of release.

Grosses are not limited to original theatrical runs either, with many older films often being re-released periodically so the figures represent all the business a film has done since its original release; a film's first-run gross is included in brackets after the total if known.

Because of incomplete data it cannot be known for sure how much money some films have made and when they made it, but generally the chart chronicles the films from each year that went on to earn the most.

In the cases where estimates conflict both films are recorded, and in cases where a film has moved into first place because of being re-released the previous record-holder is also retained.

Since grosses are not limited to original theatrical runs, a film's first-run gross is included in brackets after the total if known.

If it were the rental gross then that would have made it not only the highest-grossing film of the year, but one of the highest-grossing films of the silent era, and if that is the case it would be unusual for both International Motion Picture Almanac and Variety to omit it from their lists.

ON The figure for It Happened One Night is not truly representative of its success: it was distributed as a package deal along with more than two dozen other Columbia films, and the total earnings were averaged out; the true gross would have been much higher.

GW It is not absolutely clear how much Gone with the Wind earned from its initial release. Trade journals would collate the data by either obtaining it from the distributors themselves, who were keen to promote a successful film, or by surveying theaters and constructing an estimate.

Distributors would often report the worldwide rental since the higher figure made the film appear more successful, while estimates were limited to performance in North America; therefore it was not unusual for worldwide and North American rentals to be mixed up.

Following the outbreak of World War II, many of the foreign markets were unavailable to Hollywood so it became standard practice to just report on North American box-office performance.

MD Mom and Dad does not generally feature in 'high-gross' lists such as those published by Variety due to its independent distribution. Essentially belonging to the exploitation genre , it was marketed as an educational sex hygiene film in an effort to circumvent censorship laws.

Falling foul of the Motion Picture Production Code , Mom and Dad was prevented from obtaining mainstream distribution and restricted to independent and drive-in theaters.

It was the biggest hit of its kind, and remained in continual distribution until the s when hardcore pornography eventually took over.

UN Chopra-Gant stipulates that the figure given for Unconquered is for North American box-office, but as was common at the time, the chart confuses worldwide and North American grosses.

CI The Cinerama figures represent gross amounts. Since Variety at the time ranked films by their U.

Variety ' s 'rental' amounts are often repeated, but have no basis in the reality of what the films actually earned—they are hypothetical figures conceived for comparative analysis.

It is likely that Birchard's figure is just the North American gross rental, and includes revenue from the and reissues.

SW The "first run" Star Wars grosses do not include revenue from the special-edition releases; however, the figure does include revenue from the re-releases prior to the special editions.

At least eleven films have held the record of 'highest-grossing film' since The Birth of a Nation assumed the top spot in Both The Birth of a Nation and Gone with the Wind spent twenty-five consecutive years apiece as the highest-grosser, with films directed by Steven Spielberg holding the record on three occasions and James Cameron twice.

Spielberg became the first director to break his own record when Jurassic Park overtook E. Another film purported to have been the highest-grosser is the pornographic film Deep Throat.

The main argument against this figure is that it simply did not have a wide enough release to sustain the sort of sums that would be required for it to ultimately gross this amount.

The grosses from their original theatrical runs are included here along with totals from re-releases up to the point that they lost the record; therefore the total for The Birth of a Nation includes income from its reissues up to ; the total for Star Wars includes revenue from the late s and early s reissues but not from the Special Edition; the total for E.

The Godfather was re-released in after its success at the 45th Academy Awards , and Jaws was released again in , and their grosses here most likely include earnings from those releases.

The Sound of Music , The Godfather , Jaws , Jurassic Park and Titanic increased their earnings with further releases in , , , and respectively, but they are not included in the totals here because they had already conceded the record prior to being re-released.

Includes revenue from re-releases. If a film increased its gross through re-releases while holding the record, the year in which it recorded its highest gross is also noted in italics.

The methodology is based on the concept that films associated with things audiences are already familiar with can be more effectively marketed to them, and as such are known as "pre-sold" films within the industry.

A franchise is typically defined to be at least two works derived from a common intellectual property. Traditionally, the work has a tautological relationship with the property, but this is not a prerequisite.

An enduring staple of the franchise model is the concept of the crossover , which can be defined as "a story in which characters or concepts from two or more discrete texts or series of texts meet".

A shared universe is a particular type of crossover where a number of characters from a wide range of fictional works wind up sharing a fictional world.

From Wikipedia, the free encyclopedia. Wikimedia list article. Background shading indicates films playing in the week ending 19 March in theaters around the world, prior to the suspension of exhibition in many countries in response to the COVID pandemic.

See also: List of films by box office admissions. Glossary: Distributor rentals. Box-office figures are reported in the form of gross or distributor rentals , the latter being especially true of older films.

Commonly mistaken for home video revenue, the rentals are the distributor's share of the film's theatrical revenue i.

R Distributor rental. TBA To be ascertained. See also: List of highest-grossing media franchises. Background shading indicates that at least one film in the series was playing in the week ending 19 March in theaters around the world, prior to the suspension of exhibition in many countries in response to the COVID pandemic.

Film portal. Retrieved February 2, The Numbers. Retrieved November 12, The Economist. March 17, Retrieved April 12, Cambridge University Press.

BBC News. Retrieved September 24, Retrieved July 28, Bloomberg Businessweek. February 15, Retrieved September 25, Box Office Mojo.

The Hollywood Reporter. Archived from the original on March 19, Los Angeles Times. Bloomberg News.

Retrieved June 30, Retrieved November 3, Retrieved June 11, Retrieved January 11, Archived from the original on August 16, Archived from the original on August 20, Archived from the original on May 29, Retrieved May 29, The Wall Street Journal.

Retrieved August 9, Retrieved August 10, How the motion picture industry miscalculates box office receipts. Proceedings of the Midwest Business Economics Association.

Loma Linda University. Archived from the original DOC on October 29, Retrieved April 8, Retrieved February 3, The New York Times.

Retrieved January 4, The Guardian. The Wrap. Retrieved April 7, Turner Classic Movies. Archived from the original on September 26, The Daily Telegraph.

Retrieved March 22, June 25, The Washington Post. Archived from the original on December 27, Guinness World Records. International Monetary Fund.

Retrieved April 28, Translated by Andrianov, P. Moscow: Astrel. Retrieved November 25, Retrieved July 1, The feature film distribution deal: a critical analysis of the single most important film industry agreement.

Southern Illinois University Press. Distributor rentals: It is also important to know and recognize the difference between the distributor's gross receipts and the gross rentals.

The term "rentals" refers to the aggregate amount of the film distributor's share of monies paid at theatre box offices computed on the basis of negotiated agreements between the distributor and the exhibitor.

Note that gross receipts refers to amounts actually received and from all markets and media, whereas gross rentals refers to amounts earned from theatrical exhibition only, regardless of whether received by the distributor.

Thus, gross receipts is the much broader term and includes distributor rentals. The issue of film rentals i. Again, however, such an average is based on widely divergent distributor rental ratios on individual films.

Focal Press ]. Marketing to moviegoers: a handbook of strategies used by major studios and independents 2 ed.

Rentals are the distributors' share of the box office gross and typically set by a complex, two-part contract.

The American film industry. University of Wisconsin Press. Film Rentals as Percent of Volume of Business : To rekindle interest in the movies, Hollywood not only had to compete with television but also with other leisure-time activities Movies made a comeback by , but audiences had changed.

Moviegoing became a special event for most people, creating the phenomenon of the big picture. The Bible—in the Beginning It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years.

Retrieved May 12, Retrieved January 6, Nash Information Services. American Movie Classics. Retrieved January 5, The Rough Guide to Film Musicals.

Dorling Kindersley. This became its standard policy in , when the advent of war in Europe persuaded the American film industry temporarily, as it turned out that it should be wholly reliant on the home market for profitability.

Where specific rentals data are reported in Variety before this which tended to be only sporadically they were often for worldwide rather domestic performance.

This was also the case with other trade sources, such as Quigley ' s annual Motion Picture Almanac , which published its own all-time hits lists from the early s onward.

The subsequent confusion of domestic and worldwide figures, and of rental and box-office figures, has plagued many published accounts of Hollywood history sometimes including those in Variety itself , and we have attempted to be diligant in clarifying the differences between them.

Retrieved July 14, February 2, Retrieved September 15, Gone with the Wind includes initial release plus four rereleases ,, and since foreign rental revenues were available only cumulative through September 23, The Register-Guard.

Eugene, Oregon. Retrieved August 11, Griffiths and the banks: a case study in film financing". In Kerr, Paul ed. This reflects the total amount paid to the distributor, not box-office gross.

June 21, Cited in "Biggest Money Pictures". Archived from the original on November 5, Retrieved June 25, Daily Record.

Ellensburg, Washington. United Press International. July 21, It became the biggest hit of the sound era and the largest-grossing movie since The Birth of a Nation — until the release of independent producer David O.

Selznick's Gone with the Wind just two years later. Oxford University Press. Since it's rarely seen today, The Singing Fool is frequently confused with The Jazz Singer ; although besides Jolson and a pervasively maudlin air the two have little in common.

In the earlier film Jolson was inordinately attached to his mother and sang "Mammy"; here the fixation was on his young son, and "Sonny Boy" became an enormous hit.

Some sources give it as the highest gross of any film in its initial release prior to Gone with the Wind. Still, by the standards of the time it's an amazing amount.

American silent film. Da Capo Press. Putting The Birth of a Nation in fifth place is open to question, since it is generally conceded to be the top-grossing film of all time.

However, it has always been difficult to obtain reliable box-office figures for this film, and it may have been even more difficult in the mids.

After listing it until the mids as the top-grosser, though finding it impossible to quote exact figures, Variety , the trade journal, suddenly repudiated the claim but without giving specific details or reasons.

On the basis of the number of paid admissions, and continuous exhibition, its number one position seems justified. The Columbus Dispatch.

Retrieved January 31, Reading Eagle. Associated Press. GWTW had hitherto maintained its lead through several reissues and was soon to regain it through another in Toledo Blade.

Retrieved November 17, The Robesonian. The Free Lance—Star. The Palm Beach Post. Chicago Sun-Times. Archived from the original on June 6, Taylor Trade Publishing.

The prints were battered, but the studio believed one final fling for GWTW was possible. The film returned to movie theaters for the third time in the spring of and stayed in release until late When MGM finally pulled the film from exhibition, all worn-out prints were destroyed, and GWTW was at last declared out of circulation.

University Press of Kentucky. The Victoria Advocate. The StarPhoenix. January 16, Evening Independent. University of California Press. February 25, Retrieved August 13, Retrieved January 27, Retrieved December 4, Archived from the original on July 21, Retrieved July 21, Archived from the original on July 24, Retrieved July 24, August 10, November 12, Sylvester Stallone" PDF.

Retrieved September 19, Archived from the original on July 11, Retrieved July 19, November 6, Retrieved January 7, Retrieved June 17, The World Factbook.

Central Intelligence Agency. Archived from the original on February 15, Retrieved October 15, Archived from the original on October 23, Retrieved January 10, Archived from the original on November 3, Retrieved December 10, Archived from the original on July 16, Retrieved August 15, Archived from the original on April 5, Retrieved January 13, Archived from the original on April 1, Retrieved November 24, Archived from the original on November 26, Retrieved January 8, Retrieved January 28, Archived from the original on October 1, Retrieved December 23, Archived from the original on June 26, Retrieved March 26, Retrieved January 3, Retrieved October 29, Archived from the original on July 1, Retrieved June 15, Production cost: Frankel, Daniel November 17, Retrieved August 27, Archived from the original on October 31, Retrieved May 21, Archived from the original on April 27, Retrieved January 12, Archived from the original on August 9, Retrieved September 3, Retrieved November 6, Retrieved March 30, Archived from the original on July 2, Retrieved September 5, Archived from the original on December 11, Retrieved March 25, Archived from the original on August 22, Retrieved October 28, Archived from the original on February 21, Retrieved January 2, The Gross Pathology website will maintain only a fraction of previous website.

Our previous Grossing Technology in Surgical Pathology website has been taken as an example. Although the development of an educational website follows the building pattern of a regular informative website, a laboratory educational website has some particularities.

Our book Grossing Technology. It encompasses all activities in the surgical pathology histology laboratory during the pre-analytical stage of specimen processing.

The book accumulates the experiences of a variety of histology laboratories, from academic institutions to large commercial and small standalone laboratories.

The materials can be used for grossing technologists training programs. See flagrant. Words nearby gross gros point , gros ventre , grosbeak , groschen , grosgrain , gross , gross anatomy , gross domestic product , gross income , gross national product , gross one out.

Words related to grossing earn , make. Example sentences from the Web for grossing Only one of the top 10 highest grossing movies of the year made it into Best Picture, Gravity.

See also gross out , gross up. Derived forms of gross grossly , adverb grossness , noun. American surgeon and educator who wrote widely influential medical treatises, including A System of Surgery

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